Known For. Show all Hide all Show by Hide Show Actor 76 credits. Worzel Gummidge. Show all 6 episodes. Bagshaw - Episode 1. Show all 19 episodes. Hawkbit voice. Rudy Lom. Show all 13 episodes. Lance Corporal Alan Buckley. Nigel Bagwell. Gladiolus Thrip. Marty Cady. Various voice. Various roles voice. Show all 10 episodes. Booze Delivery Guy. Jaspers - Usher. Gareth Keenan. Show all 14 episodes. Anorak Guy. Restaurant Manager. Various Roles. Charlie Cheese. Show all 23 episodes.
The Man. Hide Show Writer 4 credits. Detectorists TV Series creator - 19 episodes, - writer - 13 episodes, - - Episode 3. Hide Show Director 3 credits.
Hide Show Script and Continuity Department 1 credit. Hide Show Soundtrack 3 credits. Hide Show Producer 1 credit. Hide Show Thanks 1 credit. Hide Show Self 35 credits. The Queue Short completed Self.
Self -Storyteller. TV Series Self - Episode 5. Self - Actor. Self - Storyteller. What Was That? Self - Hijacker. Narrator voice. Self - Presenter. Show all 33 episodes. Hide Show Archive footage 5 credits. Related Videos. Publicity Listings: 2 Interviews 2 Articles See more ». With Andy, though, the actor is at least entirely in control of how weird the character will be: he also writes and directs the show, which is expected, in the TV awards season, to add to the Bafta for Situation Comedy that it has previously won.
And you never know how actors are going to be about that. But Mackenzie was totally fine with it. Despite this, Mackenzie Crook was chosen to play Konstantin, a doomed would-be dramatist. The role is another in his collection of eccentrics: Ginger, a would-be DJ who has wasted his life as one of the disciples of a drug-dealing bullshitter played by Mark Rylance.
As is often the case with actors, the name under which Mackenzie Crook has become known is not what appears on his passport. Despite his low-key nature, he seems to be a natural performer. And what interested me, on Ordinary Lies , was that there was never really a bad take with Mackenzie. Everything he would try just seemed right and truthful. Sometimes, you have to work very hard with actors.
Certainly, the outward modesty and timidity do not seem to extend to a lack of creative ambition. Such diversification seems to have given him confidence for the multi-skilling of Detectorists.
What strikes Ian Rickson, though, about the directing of Detectorists is that its creator has not been too affected by example or precedent, but has dared to go his own way. It just allows the characterisation and detail of its world to organically create drama.
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